keronstand.blogg.se

Tucka's goal in "Sweet Shop" is much the same: to please women, to revel in it, only the sound The salacious repartee in this version of "Candy Licker" is what you heard if you saw Marvin Sease in concert, and it's clear why the women in his audiences went delirious. Listen to an uncensored rendition of Marvin Sease's "Candy Licker" on YouTube. When Marvin sang, "I will lick you 'till you come," it was electrifying-it was really, really sexual-and for women, singing and dancing along to "Candy Licker" was the equivalent of throwing off the twin chains of prudence and repression. What are the first words Marvin Sease sings in "Candy Licker" ? "I'm not ashamed anymore." That bridge-shame-was crossed long ago, and "Sweet Shop" takes to cunnilingus like a pig to a mud wallow. That's why Marvin Sease was vilified by some in the South and scorned nationally. At the time black men were said to be less likely to "partake" than white men. To Marvin Sease's generation, the celebration of a man giving oral stimulation to a woman's clitoris was still borderline scandalous. What is its antecdent? From whom and from what does it derive? Lyrically, the obvious precursor is Marvin Sease's "Candy Licker". Tucka's signature song, "Sweet Shop," is the perfect illustration. They also came to understand southern soul's multi-act venues routinely attracted crowds in the thousands, providing the key to making a consistent, year-round living.Ĭamaraderie (recording and touring) with the other artists accomplished the rest, and over time the onetime label divisions vanished so completely that Tucka is now not only considered a southern soul star but a member of its elite vanguard, his once-puzzling and/or disorienting tunes admired far and wide. Buchana-some Cupid and Calvin Richardson-some Ms. They were singing in a sea of southern soul performers, and it didn’t take long before it dawned on them that the same fans who came to their venues also "loved them" some Sir Charles Jones and T.K. What brought Tucka and Pokey into the southern soul fold was the reality surrounding them. Many southern soul artists watched these phenomenal newcomers with no small amount of consternation, marvelling at the previously latent audiences they were tapping into. Neither was hell-bent on characterizing his music as “southern soul,” even as they each pulled in enviably sizable audiences. Tucka was the “King of Swing” and Pokey pointedly called his music “blues”. It Ain't Fair") were just what southern soul was ripe for in the early teens-a creative kick in the ass-and it wasn't so much, "Would southern soul embrace Pokey and Tucka?" as it was.Would they embrace southern soul? And, like Pokey Bear, Tucka's early success came not from within the cozy confines of the Mississippi Delta (the Jackson-Memphis orbit) but from the Louisiana Delta (South Louisiana, Gulf-Coast and Florida Panhandle). Today their names bring instant smiles of recognition. A decade ago, Tucka and Pokey were unknowns. Tucka's meteoric rise to #3 on the southern soul charts mirrors Pokey Bear's ascent to #1.

November 26, 2020: Daddy B Nice's Profile Tucka #3 - The New Generation Southern Soul Nice's Top 100 Countdown: The New Generation (Chart In Progress) Tucka #3 - The New Generation Southern Soul Daddy B. Tucka #3 - The New Generation Southern Soul - Southern Soul Music Artist - Southern Soul RnB